stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

four tracks from the strictly lo-fi members, ranging from smooth tropical house vibes, to uptempo acid jams, and a bit of breakbeat.

presenting the fourth vinyl release, los angeles imprint reinhardt welcomes romanian sonic explorer akim# to the fold. culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the bucharest electronic music scene. taking elements of ambient, electronica and techno, channeled through a dream-state lens. the phosphene ep is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.

for their tenth release appian sounds move back to a full artist ep and invite us to delve into the world of o.utlier. the london based producer delivers four moving productions that will take you on a cerebral journey through delays and phased pads, reminiscent of early basic channel/maurizio recordings. after appearances on efdemins naif and fred p’s soul people music, o.utlier signs, with this accomplished 12”, a remarkable full debut.
as always, limited to 300 hand-numbered copies worldwide. no repress. no digital.

vanta series is the new series for killekill s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called -the end is near- and features four records. it comes with an artwork by french visual artist elzo durt. the second record is coming from kamikaze space programme, who delivers three types of tracks:&#8232, type 1 – a nervous piece of bells, percussion and bass&#8232, type 2 – a minimalistic techno night drive&#8232, type 3 – a spacious futuristic soundscape&#8232, type 3 comes with a remix by joefarr, who added some drama to the original and therewith created a proper hit for the darker hours.

final ep of trevor jacksons nine volume series, title track little things features a young (pre four tet) kieran hebden on guitar, an extended blissed out ambient cosmic jam flipped with slo mo tribal percussive work out + life and 4 u a minneapolis style electro funk ode to the island life. 250 copies, dont sleep!

marathons began innocently, as a quick debut ep by an energetic swedish duo we found on soundcloud. within a couple months of chatting with the pair, artur bra&#776,,ndstrom and egil kahlbom, however, we realized our collaboration wasn t going to be simple, so cut and dry, so straightforward, and that s why we find ourselves here, a year after meeting them with a full album, not an in-and-out single, on our hands. what made it complex and intricate, you ask? why d we opt to squeeze eight originals into one long-player, you wonder? well, artur and egil are prolific dudes with fantastic ears and formidable work ethics. a couple of demos quickly sprouted offspring and became four, then six, then ten. rather than fight the arbitrary desire to trim the spread down to a 12inch, we figured we d aim higher and work on a proper album. what we constructed is, in a very classic sense, a long-player. here s that album! it s a sunny, loose, limber, uninhibited boogie through warm disco cuts and wobbly house jams and soulful funk slices. daytime chill-out with a nightclub architecture—or peak hour mayhem with a bright, clearheaded euphoria. marathons swings every which way and suits any mood, so drop that needle and try it on. then repeat, repeat, repeat.

ltd 1 copy per customer, brill four track vinyl from taraval

each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain.

four fine deeper emotive techno tracks that are pure bliss!! including a mall grab remix. quality stuff and this will sell out fast just like the previous rhythm nation releases!. recommended!

after his 2012 starpatch release on red rack em s bergerac imprint it seemed seetheroad has retired from music. now he is back - as the very first uk artist in the history of tape hiss - with four twisted pieces halfway between techno and electronica. it’s a kind gesture to the label he gave a hungarian title to the ep. cédrus Út means cedar road, what was his previous location and inspired his artist name at the same time.

originally initiated due to its 10th anniversary in four parts throughout the year 2015, kittball records now continues the limited vinyl series each quarter as a best of kittball” special edition reflecting its most successful tracks within the past period. having the inside tips from january till march on the spotlight, the first edition in 2016 includes originals by demarzo with a track from his debut ep and p.a.c.o.’s beatport-charting collaboration with return of the jaded on the a-side. the b-side presents tube & berger’s latest single set free” together with ghost loft as well as paji’s enormous venom”.

after a sell out release with the man of the hour – mall grab, hokkaido dance club return with their third release, featuring four deep and dusty cuts from new york to new zealand.

he small town boys are back again with an ep full of lovely music straining your feet. synths ran hot, beer cooled down, old school became new school surrounded by tons of deep atmospheres. they put it all together on these four tracks taking you on a journey from the heart of the town around the world. get on your feet!

noisy & drone-ish debut 12 inch by bremen based artist breaklab. electronic organ dkb-44 sound studies.

australian label nightime drama, run by peter fincher (aka vibrio) and shaun franklin (aka trebek) now serves up its second standout release of 2016. this four track affair comes hot on the heels of the last by yoshihiro arikawa, and is a second release on the label by aussie live act, dj and producer trinity, with steven tang and italian based andee on the remix. trinity has also released on ooc, coincidence and android muziq and regularly performs all round europe. his sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. cascade drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. from the earthmothern label and one half of rk s, andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. the longform groove is physical and cerebral in equal measure. the next original is expansion, and again finds trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. emphasis boss steven tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

back once again with the renegade masters, to rack & ruin romp on, bringing ill behaviour and dance floor damage wherever they go. this twelfth instalment of the heady edit series sees mancunian maverick neil diablo invite the rejected and que sakamoto to tackle a side each on this floor flaying four tracker.

one of house musics true originators, todd terry was first discovered by pioneering new york house imprint fourth floor records. now the label has collected four of his earliest and most essential productions on to one 12inch vinyl. the a-side houses a pair of tracks created under his black riot alias in 1988, both featuring his trademark raw, jacking drums. the unmistakable rave stabs on a day in the life were to reappear on countless hardcore records, testament to the tracks influence, whilst the cut-and-paste sample patchwork of warlock defines the house sound of that era. meanwhile, the b-side features two tracks as masters at work, a moniker that todd would later pass on to his friends little louie vega and kenny dope gonzalez. both alright alright and dum dum cry, originally released in 1987, exhibit terrys musical roots, combining hip-hop breakbeats, powerful electro-funk and playful freestyle melodies in his inimitable style.

we welcome back our very own poster boys jakobin & domino with their 3rd ep for luv shack. entitled roshambo, j&d deliver a bumpy four tracker for your occasional night raves and summer daze. our boys are kicking things off shiny with its title track roshambo in an almost motown-esque house affair way with soulful vocals and a funkadelic drum line. can t help it is heating things up next with a tight syncopated groove, chopped up chord stabs and a lush vocal line on top. as if this wouldn t be enough, mooguai boasts in with a slick synth bassline and an hypnotic arp, underlaid with ethereal pulse strings and an upfront jazz-house beat. ep closer polar 7 harks back to the early days of house music, with witty 707 beats, a classic juno bassline and a blissful organ theme to boot. versatility that you shouldn t miss out!dj support: tensnake, massimiliano pagliara, hard ton, chris massey, andre crom, hard ton, alkalino, fingerman, alex barck (jazzanova), jacques renault

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

modularz 25 produced by south american techno queen adriana lopez who now resides in barcelona. the colombian born producer & dj has been putting out music on modularz for a few years as well as her own imprint grey report. this is her first full ep on modularz and were very happy with the results. four driving techno cuts that are made for non stop mixing. all the tracks on the ep are great for the club or the warehouse. enjoy. tip!

two years after the release of his acclaimed debut ep on i m a cliche, jakarta s best kept secret is back on cosmo vitelli s imprint with four terrific original tracks. jonathan kusuma is a producer who has managed in the space of a few releases and remixes to develop a signature sound which mostly relies on taking disco and ebm elements and putting them in new and unexpected contexts, offering us a glimpse of what modern dance music would sound like if house and techno had never existed. narcotic, hedonistic, abstract and particularly efficient on the dancefloor, kusuma s music is always about quality and never about quantity and so we are particularly thrilled to share with the world the four new tracks that constitute this ep.

electri city was created in 1980 in bundt’s own studio. using a ppg synthesizer and a teac four-track tape recorder, he anticipated the home recording trend. he worked on the mixes with a revox tape machine, cutting and splicing by hand. whereas he had enlisted guest musicians on the predecessor neon, this time around he did everything himself, except for two tracks which featured keyboarder steve robison (reiner geyer) who had played with bundt in the krautrock band nine days’ wonder.

incl. 2 locked grooves! elephant moon hits us with a super dope batch of new music this spring. the new release is a collection of music from several different artists and demonstrates the diversity of the labels output. across four brand new tracks were presented with smooth grooves, odd, whimsical sound design and dynamic dance floor rollers.

project pablo s four tracker debut for royal oak

uvb is back with four fierce funk driven big techno tunes on his own body theory label. ranging from big bombastic festival sounds (disobey your kids) to minimalized 90s stylo loop techno (breach your trust) and the fierce closing track (yours thruthly) that sounds a bit like dark comedy on steroids. strong release!

supported by : gary gritness, dj steaw, owain 124, dj capsa, nick v, dennis collado, inner sense, borussia
the mlh crew brings house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. this time the label is back with four original tracks and a smashing remix by eclectic dutch producer gerd.

following the release of his debut album as trevino earlier this year, marcus ‘intalex’ kaye marks his first notch on the hotflush bedpost with a plucky four-track ep, wearing all the stripes that an artist of his experience and versatility has earned. kaye’s four-to-the-floor productions as trevino have always possessed a latent sheen from the dynamic world of drum and bass where he first made his name. here it’s evident in the impeccably balanced mix of lead track, ‘slide away’, where forlorn melody is driven as much by bass as it is by liquid chords. the tempo is upped on ‘mosaic’ - a techno record that follows an uplifting path - and on desecrate it’s in fifth gear with a bass line that rolls and grows and bangs and rolls. the high-speed, echo chamber dub of ‘jungle love rounds off an ep of notable range.

not a lot is known about eintopf or his disco but he steps up here with four classy edits for the first release on juanpot music.

whiskey disco small batch series are custom made for summer weather, water sports and festivals. the make your day ep see s four brand new cuts featuring derek kaye, sandrobianchi & tripman, rabo & snob & love drop

in therapy is an electronic music label based in barcelona, founded and curated by rainer. music performance without the ego it s as much about empathy as it is about entertainment. use music to slip past the pain and gather insight into the workings of someone else’s mind. this release on in therapy represents the first full length hi-ryze recording since 1999. the red crossing ep consists of four tracks of extremely modern, off worldly, classic tracks.

pumpin four track techno vinyl

for the second release on let’s go swimming the label have brought in south london’s doppelate, who delivers four beautifully balanced house jams.

rsd (raw sounds district) is a brand new record label founded by slo cee in paris which aims to collaborate with unknown producers around the world.
rsd001 features four new producers - ockham from lausanne, switzerland pete martell from leeds, england social service from los angeles, usa sofia from paris, france all of which have clearly marked their own vivid imprints on the sound.

rainer steps up for the ninth instalment of half baked’s label. a strong record with four cuts designed for the dancefloor whether at peak time or after hour.

aus music bring a summer of firsts to a close as they follow up records from the newly collared recloose, trevino and paul woolford with another new addition to the team: tom trago. the rush hour regular joins the ranks with being broke - a bright and groovy four-track aimed straight at the dance floor of this seasons closing festivals. the a side offers up an original and dub version of the title track - a bumping house groove built with playful vocal samples and nifty synth lines. on the flip are two version of good lies - the first rolling out over its elongated duration with sharp, galloping hats and free-flowing rhodes notes. tension begins to develop as the track steadily snowballs gathering vocal snips and a menacing bass line while the good christian edit offers up a lighter, more early-doors affair bringing a nicely rounded package to a close.

fr fels is making his debut on ortloff records with a four track journey through analogue mindscapes. record and sleeve are provided with a phosphorescent silkscreen print.

the activ-analog collective return under this name for the first time in 10 years with a blistering new ep on lisbon s assemble music. taken from group live jams which are mixed down and tweaked on the fly, these four tracks recall the explosive simplicity of daniel bell s output on accelerate, both a-side tracks all whacked-out acid and basslines cut through by razor sharp hats and claps. the b-side sees the addition of the same woozy pads that defined their venerated night shift eps from the late 90s, taking the mood far into the afterhours. hard but with a light touch, funky and clean - in one word, irresistible.

rolling out the circuits between hot sizzeling hi-tech funk, slamming dub-tech/half-step and subdued four/four techno/acid, label head claus bachor keeps you guessing with the original demo track and four huge remixes by terrence dixon, elec pt.1, lockertmatik / kryptic universe of scratched surfaces, deep determination, kicks, clangs, cuts, medieval water torture and exquisite elocution. there s a calming force tapping out from cologne s psycho thrill bnkr underground techno faucet, and -deep down inside- is a crowning example. the first vinyls of this final fished copy series (ltd. 300) went into hand-out during the past -movement- dayz in detroit via detroit threads and submerge (local3000 ur). there will be no repress!

the fifth release on renate schallplatten comes from dimitri veimar from moscow, a good friend and regular guest behind the decks at renate. hot on the the heels of his fantastic time ep on omnidisc, he delivers four tracks of modern acid flavoured goodness. the icing on the cake is a superb remix by renate all time favourite lauer from the robert johnson crew.

jus brilliant..

done with love: for the music, for dancers, for detail... real house music in four incarnations

jackmaster hater presents jeremy williams with four jackin chicago tracks!

the second ep by purveyors of the future funk sound, a band called flash. executive produced by ron trent. recommended! created by the inspired young jared hines and produced by master minds ron trent and jonesy, this self titled follow up to mother confessor features four etherial, lush tracks that have a live feel and are equally heavenly. inspired by the jazz funk elements of uk outfit atmosfear and the alternative disco sounds of dinosaur l, presented here, a band called flash embrace the energy of live dance music. reminiscent of the early 80s boogie sound, a band called flash will surely capture the attention of the more eclectic, global dance floor.

four track spaced out ep

a couple of months after the release of contemporary spaces, four of abstract division s tracks get remixed. and who better suited for the job than label residents stefan vincent and deepbass & ness, and dynamic reflection debutants tensal and lewis fautzi.

system boss mike gervais is back at it, and he’s bringing a crew of talented conspirators to surround you on four sides with an original cut and three distinctly different interpretations. surrounded drops in with a thumping kick following a relentlessly rolling synth through taut drum programming, sizzling ride cymbals, and crisp claps to build tension on the dance floor. annie hall takes the suspense of the original deep underground, for a subterranean journey through throbbing bass, corroded synths and filthy atmospherics, straight to the nucleus of the netherworld. jesse jakob pumps up the kick for a jacking reinterpretation laden with warehouse synths and a barrage of claps for big rooms. project 313 slips into a shadowy maze of smoke and mirrors to bend their remix into a lithe and rubbery low­down groove, perfect for heating things up early or when it’s time to stay long and get weird.